Saint Cecilia by Mickey McGrath |
This is the feast of Cecilia, the patron saint of musicians. She is said to have converted over 400 people to the faith of the gospel.
This is a day to be grateful for those who lead
us in sung prayer in so many other ways in the liturgy. Find a moment between
now and the weekend to thank your parish Music Director, your parish
organist and pianist, your cantors, your choir members, instrumentalists
and don't forget the greatest choir of all: the people of God assembled
to offer praise and thanks to the Father, through the Son in the unity
of the Holy Spirit.
It seems only right and just that this post should have a musical element! Here's Britten's Ode to Saint Cecilia. It's lengthy and it won't suit everyone's taste but it's fitting tribute to the patron of the songs and sounds of thanks and praise we raise to God in our prayer. If the Auden's lyrics don't catch your attention, simply listen for the beauty of Britten's composition.
It seems only right and just that this post should have a musical element! Here's Britten's Ode to Saint Cecilia. It's lengthy and it won't suit everyone's taste but it's fitting tribute to the patron of the songs and sounds of thanks and praise we raise to God in our prayer. If the Auden's lyrics don't catch your attention, simply listen for the beauty of Britten's composition.
Hymn to St. Cecilia
Words by W. H. Auden
Performed by Voces8
If a video doesn't appear below, click here!
I In a garden shady this holy lady With reverent cadence and subtle psalm, Like a black swan as death came on Poured forth her song in perfect calm: And by ocean's margin this innocent virgin Constructed an organ to enlarge her prayer, And notes tremendous from her great engine Thundered out on the Roman air. Blonde Aphrodite rose up excited, Moved to delight by the melody, White as an orchid she rode quite naked In an oyster shell on top of the sea; At sounds so entrancing the angels dancing Came out of their trance into time again, And around the wicked in Hell's abysses The huge flame flickered and eased their pain. Blessed Cecilia, appear in visions To all musicians, appear and inspire: Translated Daughter, come down and startle Composing mortals with immortal fire. II I cannot grow; I have no shadow To run away from, I only play. I cannot err; There is no creature Whom I belong to, Whom I could wrong. I am defeat When it knows it Can now do nothing By suffering. All you lived through, Dancing because you No longer need it For any deed. I shall never be Different. Love me. Blessed Cecilia, appear in visions To all musicians, appear and inspire: Translated Daughter, come down and startle Composing mortals with immortal fire. III O ear whose creatures cannot wish to fall, O calm of spaces unafraid of weight, Where Sorrow is herself, forgetting all The gaucheness of her adolescent state, Where Hope within the altogether strange From every outworn image is released, And Dread born whole and normal like a beast Into a world of truths that never change: Restore our fallen day; O re-arrange. O dear white children casual as birds, Playing among the ruined languages, So small beside their large confusing words, So gay against the greater silences Of dreadful things you did: O hang the head, Impetuous child with the tremendous brain, O weep, child, weep, O weep away the stain, Lost innocence who wished your lover dead, Weep for the lives your wishes never led. O cry created as the bow of sin Is drawn across our trembling violin. O weep, child, weep, O weep away the stain. O law drummed out by hearts against the still Long winter of our intellectual will. That what has been may never be again. O flute that throbs with the thanksgiving breath Of convalescents on the shores of death. O bless the freedom that you never chose. O trumpets that unguarded children blow About the fortress of their inner foe. O wear your tribulation like a rose. Blessed Cecilia, appear in visions To all musicians, appear and inspire: Translated Daughter, come down and startle Composing mortals with immortal fire.
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